When her husband, Torvald, calls her things like his "little squirrel," his "little lark," and, worst of all, a "featherhead," she doesn't seem to mind (1.5-1.16). In fact she seems to enjoy and even play into it. When Torvald first calls her a spendthrift, we're inclined to agree. So far, we've seen her give the porter an overly generous tip, come in with tons of Christmas presents, and shrug at the idea of incurring debt. Soon, though, we see that Nora has a lot more going on than we first imagined.
When Nora's old friend Christine arrives, Nora divulges a little secret. She's not just leaching off her husband. On the contrary, she saved his life. Unbeknownst to Torvald, Nora borrowed money so that they could afford a year-long trip to Italy. Doctors said that Torvald would die without it. Rather than being the spendthrift that both Torvald and Christine accuse her of, she's actually quite thrifty indeed. She's been secretly working odd jobs and even skimming money from her allowance to pay back the debt. Later on we learn that Nora was so determined to save her husband that she committed fraud to do so. This choice shows that Nora is both daring and tenacious. She values love over the law. When her secret is revealed we know that, beneath the ditzy character she plays for her husband, there's a whole other Nora waiting to come out.
This other, more capable Nora is eventually brought out into the open. The anguish of Krogstad's blackmail starts the process, but the final blow is Torvald reaction when he finds out the truth. When the wonderful thing doesn't happen, when Torvald fails to attempt to sacrifice himself for her, Nora realizes that their relationship has been empty. The love she imagined never existed. There was never any chance of the wonderful thing she'd hoped and feared. She tells her husband, "Our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child" (3.286). In the end, Nora has a sort of spiritual awakening. She walks out into the night alone but, for perhaps the first time in her life, she's on the path to becoming a fully realized, fully independent human being. For further analysis of Nora look at her entries under "Character Roles."
Nora is the play's undisputed protagonist. The dramatic action is driven by her frustrated efforts to keep her big secret. She begs, flirts, manipulates, and even dances to try and keep the truth from Torvald. We're asked to root for her as she hopes for and fears the "wonderful thing" (2.320). Arguably, she also goes through the biggest journey out of all the characters. At the beginning of the play, we see a submissive housewife who seems almost content to play the role. By the end, she's an articulate, liberated woman. Some argue that the play's three day time period is far too short for such a drastic change. Others say that the horrible stress she was under, which forces her to consider suicide, is more than enough to make a person do some serious soul searching.
The house smells like a Christmas tree Helmer and fresh biscuits. Children running around and laughing, enjoying gifts. Nora chirping and singing , enjoying life and the love of her husband Torvald, the harmony, it has built up in their own family. Helmer's house furnished with an inexpensive but good-quality furniture; prints on the walls, books in biicases. At first glance, the family lives in the family comfortable and happy. Why, then, Ibsen called this house "puppet"? This definition is symbolic. It points to something unnatural, unreal, imaginary. The author appreciates the related comfort, openly admires Noroyu - a real ideal woman: funny, gentle. Deify her children, a man satisfied created a fairy tale. What's wrong with this idyllic picture?
Nora â€¦.., the major character of a "Doll House", sees the meaning of her life in a happy family. N and T. have been together for eight years. They have three beautiful kids, cozy house and a stable income. Nora worships her husband and loves children. Joy and peace are reigned in her home , and , it seems, she and her husband T. really love each other. This is what every woman is looking for.. They are even ready to sacrifice everything for the sake of each other. . But looking more closely, we see that this is a simulated happiness; there is something artificial in it.It reflects Nora's childhood dreams about an ideal family that would live in a perfect house, the dreams that are somehow reminiscent of children playing with dolls. In the Dollhouse everything is perfect, tidy, comfortable and right. But Nora herself is a doll - first for his father, then to her husband. She is completely dependent on Torvald who is considered an example of all virtues. Her husband calls her "doll", "squirrel", " skylark". He takes care of her as of a little helpless child. But he does not perceive her as a person. For him, Nora is an integral part comfortable family life. Nora is only a part of this cozy nest, almost the same as furniture or curtains. In this house , both play in love, in marriage, in dignity and honor. There is nothing real. This is the house of dolls. While Nora Torvald seemed sort of a playful important "Squirrel", he admired her, graciously allowed to love and care for him... When it became clear that Nora decided to act independently - took money for his own treatment - all saw this relationship such a loving husband to his wife. It was a despot who does not admit the thought that his wife might have something to make descisions by herself.and be responsible for her choices. In this house live dolls that pretend to be people. They just pretend because they do not want to disturb the peace and happiness in their home. Secretly borrowed money to save her husband, Nora becomes alone with her fears of the future and the pangs of conscience. She knows he will never forgive her and accept it as a disgrace But when the secret revealed, her husband gives a speech in which a pronoun " my" prevails:"You destroyed all my happiness, and ruined all my future." And when the threat passes, we hear again his sugary words: "... here I will caress you like a hunted bird, which had saved from the claws of a hawk intact." He accepts it as a disgrace. But there comes an epiphany. Nora can no longer live in this spiritually empty "doll house", so go away. Nora doesn't want to be a doll anymore, nor live this spiritually empty house. She leaves to find herself as a person: "I think that, first of all, I'm human, just like you - or, at least, should be a man." In a work of Henrik Ibsen showed fake human values â€‹â€‹beyond which lie selfishness, spiritual emptiness, hypocrisy and falseness. That is why the play is called "A Doll's House." Citation. Eight years ago , Nora saved T. life. Secretly from T., she forged the signature of her late father and borrowed money to pay for his treatment. She did not hesitate to sacrifice herself and make this decision. And it is normal if a woman'so wants to keep her home safe. From this time, her sufferings begins. She worries about family reputation. Nora desperately seeks a way out of a difficult situation and do not find it. The letter from K. reveals the real relationships between T. and N. He is afraid to become the subject of gossip, accusations and scandals. . He is talking to his wife as to the real criminal. "Oh, what a terrible awakening! All these eight years ... she, my joy, my pride ... was hypocritical, deceitful ... what a bottomless pit of mud, the view! Torvald seeks to maintain external decency. He believs tha Nora is morally corrupt, and doesn't exists anymore for him. Torvald is even going to remove Nora from parenting. The situation resolves by itself. Having realized his dishonesty, Krogstad stops harassing tham claiming that there is no threat to Nora and Torvald. Torvald happy, however, Nora's not so. . The illusion of well-being and happiness of Helmer's family dissaper, unmasking the real characters. And she is not a carefree "squirrel" as T. likes to call her. Nora is revealed as a strong person, who can make important decisions What is alarming is T.'s disregard for his wife, lack of understanding of her inner world. On the contrary, Nora controls herself very well.. Nora realizes that trying to save her family illusory happiness, she committed a crime, lost respect and self-esteem and ruined her "doll's house". In the hands of her husband she is only a doll. A house built on falsehood and errors cannot be a real home. Like a card house it is destroyed after the first storm. Nora is going to leave his family. Torvald begs her to stay. He applies to "duty to her husband and children." She returnd her question ; "For this to happen a miracle of miracles that the total life really was a marriage." Nora says that she is not only the mother of the family, but "above all a man, the same as you - or, at least, should be a man." Ibsen revealed a profound mismatch between a respectable appearance and an inner reality. The author portrays extremely acute problems of family lifeIn modern sisiety, there are many dall-people, there many artificial familiers, and artificial feelings.It is sad. Something needs to be changes in in our families and in our sisiety.. The author makes it clear that the essence of this marriage is not what it seems.
She did it because she of feelings she experienced to her husband.: she is struck by selfishness of Torvald. She breaks with T., to whom she has lost her faith. Her unwillingness to remain a "doll" is a vivid proof of this. But over time, it appears, that for her husband external image and reputation is more important than Nora and her desires. She did not count on the gratitude from him, because her actions were directed by a desire to save him. She pays debt, feel miserable, working hard and secrifices herself for the sake of her family. She wants to be understtod. But, finally she herself comes to understanding of the terrible truth: her houme is not real. She lives in a "doll's house". A life is not a games,or a play. She can not live anymore is the world of falsehood, in the "dolls house". Every woman dreams of a home, family, and wants the life be bright and cheerful. How to make your home real, filled with his sincere feelings and joy. What is the secret of happy family. At the end of the play, Nore answers this question:"... It is necessary that the miracle of miracles, that cohabitation actually became a marriage." At the end of the work , nothing is remained from the dolls house.. By gradually analyzing relationships in the contemporary family, shows the hidden mechanisms of destruction of the human personality, the soul of characters. - After some time, the family fortune begins to reveal their inner side. At first glance t. loves his wife, but in fact, she is only a toy, a "doll", his property, which is not ashamed to show to others. Action and intention Nora author treats as pure and selfless. At the beginning of tha play nora looks loke a light-hreade person and not is not capable of serious things . That is exactly how people see her. But she is a strong, strong-willed woman who knows how to really love, which for the sake of a loved one is capable of anything, even sacrifice her very life. Nora yet tactful, gentle and tender. Fate puts her to the test: the moneylender Krogstad, is blackmailing her. He dolls homes comes to trouble. Torvald does not pass the moral test. The second letter Krogstada in which it returns the debt note Nora, Torvald gives rise to a broad gesture of forgiveness of his wife, but the last of this is not enough. Nora passes sentence to the laws of society, her illusions, her family, Woman decides to seek the truth and goes up to the unknown. The composition of the play is analytical: the action starts from the picture the illusion of happiness and ends with his defeat. Is at first glance, Nora, is only a doll, a cheerful mistress of the quiet and neat house, which resembles dH. T. perceives her not equal to himself , but but as the toy "of lark", "a doll. He spokes to Nora seriously. The main thing for Torvalda] she "it would play" according to his rules. Nora it does not bring up children, but it plays with them, as if continuing to be played with dolls. She it is surrounded by the almost toy objects. Not accidentlyrandomly in the first action of play Nora decorates a christmas tree. But after this external lightheartedness we see another N. We see new features of her personality. She is not so shallow, she knows that the life consists not only from joy. She can be serious, hardworking, responsible. She can even sacrifice herself, if the life of her husband depends of her. Nora does much to make her home happy and comfortable. To pay the debt, this young, beautiful and cheerful woman must constantly economize and limit herself. But about her personality speaks the fact that she decides to change her life. Nora realizes, that she is a doll in the strange hands. Be merry and entertain someone does not to be happy. In order to actually become a free person , respects herself, she removes the mask of a doll. She becomes independent. The events, depicted in the drama, do not make Nora another, but only reveal those hidden fetures of her nature, make her to look in a new way at her family and to herself. Now, Nora is a strong personality, who uncompromisingly fights for the freedom. The play finale of play remains open. Nora has not yet conquered , but the victory is close already. Possibly, "miracle will occur "miracle", [Torvald] will be able to internally change, and she will Nora to create a real, not the doll houae.
While Nora Torvald seemed sort of a playful important "Squirrel", he admired her, graciously allowed to love and care for him... When it became clear that Nora decided to act independently - took money for his own treatment - all saw this relationship such a loving husband to his wife. It was a despot who does not admit the thought that his wife might have something to make descisions by herself.and be responsible for her choices.
A deed of Nora, who left the family, was, in fact, a shock to the community with his hardened mind's eye on the role of women in family and society. First woman declared dignity and desire to be a man, not a beautiful doll for men. The woman did not agree more on the role of the slave house fire. It aims to be on par with a man to live a full life, to love, raise children, and feel like a man.Ibsen showes a mismatch between external and internal world of the heroes.. The author touches important issues regarding woman and a society, personal responsibility to themselves and society, and the problematic relationship between a society and the individual. In the play "A Doll's House", Ibsen revealed a false idylli of this marriage and analyzes the reasons of this family crisis. Family becomes the criterion for evaluation of a society.. Dignity of character is measured not only social laws, and the moral laws DHouse is a symbil , it is a place where human relationships are destroyed, but the hope still lives to save them. Nora leaves, but her children remain in the home. There is a hope exists that if both change this family still have a chance. Ibsen innovation reflected in incomplete twisted ending