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Art museums, opera houses, etc. are symbols of both high culture and tradition. These are specifically the places where great historic art survived from generations to generations representing the culture of their homeland. They basically define the natives. They present the human spirit. Affluence and the arts go side by side. For the creation, different artists need patrons and individuals who can fully appreciate and support the artists who are the creators of art. For this, only the wealthy people accurately fit this specific patron bill. This totally represents the cultural tradition of rich supporting the poor and needy. The New York's glorious Metropolitan Museum is considered an apt place for the reflection of the cultural contributions made by J. P. Morgan. These places are a clear mark of the cultural identity depicting the native people. (Greed and Good 139)
It is well known that both arts and culture are a strong representation of the vital element of a social well-being. They form social bonds, build webs of affiliation and these always strengthen the nation, in different unique ways. (Miringoff & Opdycke 13)
The article titled "Exploring cultural identities through art" (Tide Global Learning) explains that culture of any region usually embodies its specific values, rituals and is considered as the basis of a society. All the related practices collectively create a sense of identity and also offer citizenship to a being. On the other hand, Art, it either craft or design. It is the main source through which people form their identity and through which they are represented world-wide. It is considered as a self-affirming task which is used for interpretation, ponder about and also a pathway through which anyone can challenge their respective cultural life. In the very first analysis, light is thrown upon "boat building" precisely in Gambia. This specific term basically came into existence after the releasing of the film Whale Rider. Particularly in this, the boat building was known to be an analogous to the Aori people who survived and also who efficiently strived in developing a genuine substantial way. The citizen of Gambia had a strong sense of place. Their National identity was the result of great struggling against the colonialism. In the today's world, as the relative economy of Gambia is quite unimportance globally, it clearly means that their natives have a strong sense of cultural identity. The citizens more specifically speaking create their own artistic visual elements which represent them as a whole. For example, clothing is the main source of both culture incorporated in terms of art which clearly defines their identity. People there gave great importance to the traditions and also in celebrating them which resulted in innovation from that specific understanding. At one of their local museums, the Tanje Museum, the native weaver residing there explained about the people who were not aware of their art or even culture and called them as "a bird flying with no eyes".
Loomis in her article "Art with a Needle" talks about the third world, artist require a hard time to decide which particular element or symbol would represent them culturally and relate it to the regional art in an overall way. They have and option whether to choose the different traditional, tribal or religious signs and symbols or to just use the more recent artifacts along with the political ideas and concepts. In this modern and highly connected world, it is very difficult for the artist to either select from his own cultural representation or from the impact of many other persistent cultural traditions, etc.Â
There were any different artists particularly known in dealing with a variety of materials for the cultural representation. In around 1930s, Grant Wood along with Thomas Hart Benton and many other Regionalist artists showcased small-town scenes with their respective heartland values. However, regionalism ran out of fashion after the World War 2. With the introduction of American Gothic, a variety of namely critics had this view that it was a representation of the satire and narrow-minded rustics of specifically that region or culturally different people but Wood completely refused to this concept. Talking about America more precisely now, reverences for different pretty and beautiful landscape painting, along with the picture of Jesus, a variety of wedding photos along with huge family portraits are present in the heartland of America. Up till now, there are around a gazillion artists who are natives of America and they can't wait to move to get successful after their scape. Some of them employed their native culture for grounds of both irony and condemnation. Â
The main idea behind using arts in the article "Art Identities" is that it easily expresses the culture of any region. Be it painting, dance, drama, photography, theatre, etc. it efficiently provides both first and second generation migrants along with the refugees a very creative space for story narration, for remembrance of their personal powerful memories, and also to share their joys, happiness, sorrows and pain. Arts basically give the viewers a very different idea of the overall experience of both migration and exile and also the hard search of being associated and a sense of exclusion.Â Talking about the Sense of belonging, it was considered as an exhibition of painting, sculpture, film, photography, music and performance. It efficiently explained the perilous journeys that people had to make to get freedom. It was known for the celebration of the new culture arrivals. A well-known artist and a researcher, Susan Pui San Lok, worked on "Golden" since the year 2003. In this particular project, she worked on finding the answers of nostalgia, cultivation, aspiration and translation. All these basically focused on the Chinese diaspora. Through different sources and proofs, she explains how identities along with the memories and territories tended and cultivated. Another artist in relation to the above project explained that it through all this it was very much easy for understanding why the people in pre-historic times were viewed through a rose-coloured glass. The main reason according to this artist was that the people usually deal with trauma by just forgetting it and letting it go. (Moving people Changing places)
Now if we talk about an artist in Afghanistan, he would clearly understand the large scale of the political destruction that it had experienced through either the Taliabns or through different wars. '
In the film named "Sympathy," an umbrella was used which opened with the rhythm of water drops. This was used for the indication of the Omarzad message for the time when an idea is present and as a result the expressions can be very simple. Despite this, all the work going on in the universal is in the sense that entropic reality exists in nature" (Herrschaft 48-49)
Cultural identity in Afghanistan basically revolves around tension among many different individual. Omarzad explained that along with him, many other artists also observed their fellow members as individuals. Individuals are recognized in their loneliness. Individuals also portray isolated beings. As a result, the artist forms a new framework of cultural identity of the native people. This however, cannot be showcased in their paintings. In Afghanistan, as an opposition in Germany too, the artists cannot hang a painting without any proper frame and a certain format. The main reason behind this is that they feel insecure in presentation of art depicting their culture. (Herrschaft 48-49)
Wakil Koshar was a 29 year old photo-journalist from Kabul and he travelled throughout the Afghanistan. One of his photograph particularly from the Mazar-i-Sharif showcases a woman who had a white dove called the Kaftar. Following this, many female art students were involved in formulation of the ideas on how anyone would use the Kaftar in their paintings. They thought however, that the Kaftar was a strong symbol of freedom of assembly and most importantly represented freedom of women. (Herrschaft 48-49)
Moving our direction towards the African side, a new cinema in the Caribbean is the upcoming thing that resulted from the merger of the other 'Third Cinemas' company. It is closely linked but at the time also very different from the visual presentation of the Afro-Caribbean and the Asian 'blacks' of the Diasporas of particularly the West. These cultural traditions and practices mainly have the black subject as their centre object which clearly puts the cultural identity crisis in question. These practices often implicate the basis and positions from which any one would right. Identity is not at all transparent or unproblematic as many have this concept in their minds. Instead of considering identity as an already achieved fact, all the modern cultural practices would then represent instead of identity as mere a production. It would be taken as incomplete, always in a process. (Hall 222)
According to Ball in the "Beat Nation" basically showcased artists who efficiently juxtapose the urban youth culture with that of the Aboriginal identity in an entirely creative and in an unexpected ways. They employed hip hop along with many other cultural forms. As a result, the artists formed exciting new cultural hybrids specifically in the painting, pictures, videos, sculpture, installation, performance, etc. Speaking more precisely, in Vancouver the different territories of the Coast Salish Nations were in a great meeting of urban Aboriginal youth for many decades. Since the early 1990s, hip hop was considered as the main driving force of activism in the social community. The main roots of hip hop culture along with its music gradually transformed into new forms that efficiently echoed the current realities of young people. As a result, dynamic forums were created for their storytelling and also new modes for political expression were formulated. This movement was very much influential across many different disciplines. Resultantly, many similar strategies were seen in the visual arts where different artists remixed, and juxtaposed the old with the modern and new. (Arts Beat)
Interpretation of cultures along with the arts is an important mean by which all people explain their experience, shape their identity and imagine the future. In their constancy and their variety, culture and the arts allow us to explore our individual humanity, and to see our society whole. People use arts to represent who they are and from where they belong. On the other hand, our democracy also needs the art. The arts also have the capability to animate our civil society. They skilfully stretch an individual's imagination. The art is involved in protection and in enriching of the liberty, an individual human being' s dignity along with the public discourse that are considered as the heart of a well-known and healthy democracy. (Sidford, 4)
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