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The representation of stereotypical gender identities in filmmaking has evolved throughout cinema history, primarily in accordance with changes in political and social values. The traditional gender stereotyping of the dominant male- the all powerful, masculine hero - and the spectacle of an emotional, submissive but desirable female counterpart, continues to dominate the filmmaker’s approach to image and narrative in mainstream commercial cinema.
The news media has aresponsibility to be objective, a responsibility it is often criticised foroverlooking. Likewise the mass the media, with its huge audience, has an opportunityto educate - this is not to say that commercial television should fill itsschedules with GCSE Bitesize revision programmes, but that there is much tolearn through great writing, great acting and great comedy, that these arepopular art-forms.
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